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Outside at first light
Rural in Nature, Transcendental in Temperament
This way through ferns
as out of the woods
night crawled on its belly
Safety found in the dark
under the fronds
and one day
You would never
have to go back
to the small house
Loud with blame and ridicule
and you didn't
until it was over for ill
Old enough then
to understand
you could never leave.
Sitting still for a moment,
awaiting silence,
clouds behind the hill,
wind whispering
in the hollows of my face,
wanting little for a moment
in a world all flourish and perish,
gazing deep into the cloud and the wind,
this precious existence,
one dream flowing into another.
—after Hsei Ling-yün, circa 423 C.E.
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Adobe stock photo |
a young husband, night student,
helmeted, goggled, gauntleted,
an oiler, son of a failed-artist-roller,
cast the long shadow of a steelworker
over the blur of the 30-foot wheel
into the grease of the abyss
under the speeding ropes
that drove the great rolls
as rebar snaked through its trough,
neon and lethal.
His father, too, dreamed artists' dreams.
On payday they knew it meant little.
Under all day the cloud fleet
Under all night the Flower Moon
Paling the dark firmament
Where the bear and the lion roam
Man on his globe
Troubled with wonder
Impermanent.