it being the height of tick season,
green and warm and humid,
and head for the woods.
That's where you'll find me,
reading old poets,
making a few notes,
clinging to the planet
as we ride through infinite night,
but I'd rather you don't.
Rural in Nature, Transcendental in Temperament
click to expand |
Bring me again to the edge of the sea
miles past the end of the hard road
to stand at the tide line
in the cries of seabirds and wind,
the erasing, replentishing tide
sighing on the chest of the sun,
dreaming of the moon,
a deserted beach
where a man can cry and no one will see
if he remembers how to let go,
the sea helps with that,
the surf effervescent,
the swells' rise and fall,
the running collapse,
the merging of wave and sand
leveling mountain and sea,
tide of perpetual change,
and who can say
I will never hold you again
under the live oak tree ?
—with two lines by Octavio Paz
I judge by your despair and anger
you have become an artist.
Tell me, what do you think
of your own work?
Not enough night, I answered.
In the night I can see my own soul.
That is also my vision, she said.
—from "A Setting Sun," by Louise Glück
Dandelion mandala |
The rain stopped,
and summer moved in.
The valley filled with mist,
and the ridges thinned blue.
Doves called in the dusk,
like children blowing in empty bottles.
I Iike the sleeping room cold,
the AC chanting Om in the window hole.
No one is coming.
Poets shoulder-to-shoulder on shelves
are dusty company—
bound gray skies
stitched with rain,
pain behind the spines,
remaindered truth,
But nevermind.
Be kind, dear self-styled critic,
read to me these lines aloud
in your best basso profundo,
set our bones abuzz,
catch your breath,
have a heart,
And lie.
Blooming in their drift |
This poem written since writing began,
clouds blooming in their drift,
the pitches of bees, the function of grief.
A small, brown ant searches the page,
mad for pheromones—so like us, you say?
Yet I have grown weary of searching.
I wait, instead, for my time,
turning away from the end
to watch rain falling through oaks in the gray.
I wait with my words and my questions.
Did I love the right people,
stopping this moment to wonder
at the chatoyance of puddles on a dirt road.
Have I squandered my life?
—after Louise Glück's "Winter Recipes from the Collective"
On the honed edge of morning
a poet slumps in his chair
in a clutter of lines
too pretty to use,
the phosphor-bronze sun
just clearing the trees
where shadows recede,
goldfinches dipping
through the anodized air.
The open blade gleams on its tray.
Writing is easy. You just open a vein.
—Nietzsche, Red Smith, Hemingway, Paul Gallico, et al.
A hollow, broken apple tree
blooms in the scrub
where an orchard used to be.
A murmuring comes toward me
from those who died young,
forgiving me.
May rises through the bones.
—with a line by Rilke
May apples and halbred-leafed violets |
Now sunlight now small
hovering towers of gnats
newborn and backlit
yoyoing over the path
to awakening woods
where mandrakes unfurl
above yellow violets
blackbirds giving chase
across manure-spread fields
now sunset now absence
Now memory now hope
after all these years
I sent you an email
I wrote and rewrote
for three dismal days
and clicked to the piping
of Hyla in twilight
with low expectation
now morning now raining
now vernal remorse.