Midnight, January |
Up again
from under down
at midnight
in the mountains
to throw a log
onto the fire
and free the cat
who vanishes
into the dwindling woodpile.
Rural in Nature, Transcendental in Temperament
Stubble in parallel rows
bends over the hill
to where the snow devils rage
against black woods.
Hear the trees moan.
In times of lies and violence
he likes the black keys best,
the cellos and French horns,
he likes the lights down low,
the alto requiems.
In vintage wool
he can forget,
watching the squall,
snow piling up
on his shoulders.
Surely it was too much
to expect our fragment of time
to become eternity
But the card you sent
showed something of yourself
with so few words
And you quoted Neruda
as we rode out of the tunnel
into the propellers of sunset
Everything
seemed possible
I thought
this would be easier
My soul is created
by thousands of images
I cannot erase.
On a clear cold night in January
Good for radio reception from distant stations
Some saver of souls in the middle of the continent
Drifts like crushed glass in moonlight
I think of you too.
The shape of the wind
When the wind dies
Her wry smile
Her love without condition
Snow and shadow
On a fallow field
Our days are numbered
Sad and wild enough Sergio Larrain, untitled, London 1958 Aperture, Paris, 2013 |
When you finally called
and didn't speak,
I knew it was you,
it could be only you,
who else would call
and say nothing
and know I'd know
so many years later,
who else is sad enough,
who else is wild enough,
who else would call
and not speak,
who else would say nothing,
who else besides me?
Turkeyfoot Trail, Native American Path |
Walking Laurel Ridge
already late enough so soon
the twilight cold and quiet
the path to the cabin
strewn with branches and briars
as deeper you stride
into this delicate balance
leaving behind what you must
the voices receding
as you wait for weak stars
little by little
to burn through thin clouds.
—after Mary Oliver's The Journey